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A short ink study I drew for practice the other week after a portrait by Rembrandt:
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| Portrait (after Rembrandt), ink 2011 |
One of the best drawing exercises is to sketch people from life. I talk more about this kind of practice in
the second of my free drawing lessons. Here it's enough to just mention that it is one of the most challenging - and enjoyable - things to draw.
This is a quick portrait sketch from life that I drew in my sketchbook this morning: (0.7 mechanical pencil HB on sketchbook paper)
Monday and another week with Fantasytree. Soon time to leave a grey November behind and welcome December with Christmas in all it's fantastic glory. Don't forget that Santa Claus is probably one of the most famous fantasy character ever! (Albeit some minorities of the population actually believe that he exists).
Anyway, what better way to start a week than with a study of a true master? By many considered to be one of the most skilled draughtsmen ever,
Albrecht Dürer's (1471-1528) works never cease to impress.
This sketch is merely the beginning of a study in pencil from a painting he did of his father. Drawn with a 0.7 mechanical HB pencil on regular sketchbook paper.
Wish you all a great week.
Yesterday I mentioned that I had finished a drawing project. Today I can reveal that it was an Elvis drawing for my mother. Drawn with a Derwent Graphic, a 0.7 and a 0.5 mechanical pencil (HB) from a photo by Bettman/Corbis this is what it looked like. Scanned it before handing it over to my mum yesterday:
Elvis Presley (2009)
[21x29 cm]
The next sketch for the Sketchstorm thread was drawn from an album cover. According to one of my favorite sites,
rateyourmusic.com this is the best recorded album ever. Indeed, The Beatles
Revolver does include many gems.This is just a rough, simplified version of the remarkable original artwork.
Drawn with a HB pencil on ordinary sketchbook paper. No eraser has been used as you can tell:
A master study drawn from a drawing by Jack Hamm for the
Sketchstorm thread. Used HB pencil for this one. I have often heard that it's better practice not to erase mistaken lines. Instead you should draw new, correct lines besides the wrong ones. That's the reason why I leave those lines when sketching.
Have done another master study - this time from a painting by Fragonard:

Fragonard study (2009)
While sketching the Bronzino portrait in ink, I worked on a master study in pencil. This one was drawn from a sculpture by Algardi:

Algardi bust (2009)
The next master study was sketched in ink during a couple of days:
Today I finally finished the portrait assignment I've been
working on. Here is the final result:
(Media: Pencil)

Bat Masterson Portrait (2009)

Here is the latest update to
the portrait I'm working on in pencil. (HB and - today - 2B):
Today's WiP is the latest progress of a portrait I'm drawing as an online art class assignment. Drawn from an old black and white photo, here is what it looks like right now:
(Pencil, HB - Click for full view)
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